女生腰疼是什么原因
Current License: CC BY-SA 4.0
7 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Oct 28, 2022 at 0:22 | vote | accept | tmighty | ||
| Oct 28, 2022 at 0:22 | comment | added | tmighty | Thank you for the insights! | |
| Oct 27, 2022 at 17:31 | comment | added | tomh | I mean whatever you're recording onto, whether it's tape or an SSD. Once you've committed signal to a recording device, you can't easily reverse any processing you've applied to it. | |
| Oct 27, 2022 at 17:12 | comment | added | tmighty | What do you mean by "tape"? You're not talking about actual magnetic tape, are you? | |
| Oct 27, 2022 at 16:22 | comment | added | tomh | Likely to be a combination of good acoustic treatment in the room - soft coverings over everything, and careful compression/limiting on the audio channel. The issue is whether you commit that to "tape" or not. If you do, you can't remove it afterwards if you mess it up. Often better to set the levels correctly first, then compress afterwards in the mix, or in their monitoring | |
| Oct 27, 2022 at 15:57 | comment | added | tmighty | Thank you! In some overdub movie making ofs I see that people are really far away from the microphone. Like 1 meter, and they can still whisper or shout, and it will sound "equally" loud. How do they do that? Do they use a different microphone and / or is their hardware just perfectly configured? | |
| Oct 27, 2022 at 14:32 | history | answered | tomh | CC BY-SA 4.0 |